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Forum Démocratique
- Democratic Forum
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صورة العضو الرمزية
Mohamed Fadlabi
مشاركات: 111
اشترك في: الاثنين مايو 09, 2005 6:19 pm
مكان: النرويج - أوسلو
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مشاركة بواسطة Mohamed Fadlabi »

[align=left]Another Music
The Sacred Fear


Another Music
Mohammed Ali Fadlabi
Luke Fowler
Lemi Ghariokwu
Linder Sterling

Another Music is a group show of work by artists whose practice is
directly concerned with the complex relationship between image
production, music and politics. Mohammed Ali Fadlabi, a painter based in
Oslo now making new work for Kunsthall Oslo, is perhaps best known for
the controversial cover image of the Gatas Parlament record Apocalypso,
showing a Christ-like figure tied to the Norwegian flag. Luke Fowler's
documentaries question the classical concepts of musicianship and
composition, and relate them to political ideologies, particularly in
his case study of Cornelius Cardew's Scratch Orchestra. Lemi Ghariokwu's
painting was brought to world attention during his long collaboration
with Fela Kuti, and his focus remains on an agitational relationship to
the many unsolved questions of the third-world vs the first-world.
Linder Sterling is a Manchester-based artist and musician whose work,
informed by feminist ideas and Dadaist visual strategies, made a key
contribution to the politics of the punk aesthetic, and continues to
test the boundaries of mainstream taste in the interests of a future
erotic egalitarianism.

The Sacred Fear
Karin Erixon
Ahmed Ghossein
Petter Napstad
Lina Norell
Oscar Qvale
Jon Benjamin Lund Tallerås

Alongside his participation in 'Another Music', Kunsthall Oslo has
invited Mohammed Ali Fadlabi to curate a project outside the gallery
space. 'The Sacred Fear' is an exhibition distributed around the city,
with works on show in a bar, a shop, a club, an office, a gallery and an
art academy. Fadlabi writes 'I never thought I was a curator. I am not
even sure I am an artist yet. And here comes a real institution asking
me to curate a show. Well, for some reason I found myself doing it
anyway. Probably because of my African upbringing. We were taught to
listen and respect those who knew better. Ladies and gentlemen, this is
a very personal show. I have chosen locations I am familiar with in Oslo
and invited friends to show their art.'

Tuesday 18th of January
Oscar Qvale, Kandaka boutique, Markveien 56 C, 17.00
Karin Erixon, Galleri Blå, Brenneriveien 9 C, 18.00
Ahmed Ghossein, Turkish Delight, Torggata 35, 20.00
Thursday 20th of January
Lina Norell, Kirkholm law office, Akersgata 43, 9.00 – 16.00
Petter Napstad, Semikolon, Oslo National Academy of the Arts, Fossveien 24, 17.00
Jon Benjamin Lund Tallerås, One Night Only, UKS, Lakkegata 55 D. 20.01, 20.00
صورة العضو الرمزية
Mohamed Fadlabi
مشاركات: 111
اشترك في: الاثنين مايو 09, 2005 6:19 pm
مكان: النرويج - أوسلو
اتصال:

مشاركة بواسطة Mohamed Fadlabi »

في هذا المعرض أحاول فتح أسئلة جديدة حول مفاهيم المستقبلية الأفريقية ( Afrofuturism)
قمت بعمل تركيب جديد بعنوان Bring on the magic
قلب العمل بورتريت للموسيقي العظيم Sun Ra
سأواليكم بالصور و التوثيق بعد إفتتاح المعرض
صورة العضو الرمزية
Mohamed Fadlabi
مشاركات: 111
اشترك في: الاثنين مايو 09, 2005 6:19 pm
مكان: النرويج - أوسلو
اتصال:

مشاركة بواسطة Mohamed Fadlabi »

صورة

300x200cm
أكريليك على كانفاس و على الحائط
2011

تصوير Martin Johansen
صورة العضو الرمزية
Mohamed Fadlabi
مشاركات: 111
اشترك في: الاثنين مايو 09, 2005 6:19 pm
مكان: النرويج - أوسلو
اتصال:

مشاركة بواسطة Mohamed Fadlabi »

[align=left]Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra[1]; May 22, 1914 – May 30, 1993) was a prolific jazz composer, bandleader, piano and synthesizer player, poet and philosopher known for his "cosmic philosophy," musical compositions and performances. He was born in Birmingham, Alabama. He is a 1979 inductee of the Alabama Jazz Hall of Fame.
"Of all the jazz musicians, Sun Ra was probably the most controversial," critic Scott Yanow said,[2] because of Sun Ra's eclectic music and unorthodox lifestyle. Claiming that he was of the "Angel Race" and not from Earth, but from Saturn, Sun Ra developed a complex persona using "cosmic" philosophies and lyrical poetry that made him a pioneer of afrofuturism. He preached awareness and peace above all. He abandoned his birth name and took on the name and persona of Sun Ra (Ra being the Egyptian God of the Sun), and used several other names throughout his career, including Le Sonra and Sonny Lee.[3] Sun Ra denied any connection with his birth name, saying "That's an imaginary person, never existed … Any name that I use other than Ra is a pseudonym."[4]
From the mid-1950s to his death, Sun Ra led "The Arkestra" (a deliberate re-spelling of "orchestra"), an ensemble with an ever-changing lineup and name. It was a turns called "The Solar Myth Arkestra", "His Cosmo Discipline Arkestra", the "Blue Universe Arkestra", "The Jet Set Omniverse Arkestra", as well as many other permutations. Sun Ra asserted that the ever-changing name of his ensemble reflected the ever-changing nature of his music. His mainstream success was limited, but Sun Ra was a prolific recording artist and frequent live performer. His music ranged from keyboard solos to big bands of over 30 musicians and touched on virtually the entire history of jazz, from ragtime to swing music, from bebop to free jazz. He was also a pioneer of electronic music and space music .[5] He also used free improvisation and was one of the first musicians, regardless of genre, to make extensive use of electronic keyboards.
صورة العضو الرمزية
Mohamed Fadlabi
مشاركات: 111
اشترك في: الاثنين مايو 09, 2005 6:19 pm
مكان: النرويج - أوسلو
اتصال:

مشاركة بواسطة Mohamed Fadlabi »

[web]https://fadlabi.blogspot.com/2011/01/photos-from-another-music.html[/web]
صورة العضو الرمزية
Mohamed Fadlabi
مشاركات: 111
اشترك في: الاثنين مايو 09, 2005 6:19 pm
مكان: النرويج - أوسلو
اتصال:

مشاركة بواسطة Mohamed Fadlabi »

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